About Artwork

Lara Ögel’s “reveries” fluidly merge portals, gates and flowers in stages of transformation in her print of a watercolor, dreaming of non-conscious states of mind. Her depiction of spaces “deliver a multi-layered interpretation of the distinction between interior and exterior, and individual and collective memory.” Directly related to Ögel’s sculptural installations and videos, such as  “Come Back! All Is Forgiven” 2016, or “Houses Were Rooms, I Had Forgotten” 2017, works that scratch on the memories you may have long forgotten which now linger on the peripheries of awareness, and hints at potential portals to access these seemingly forgotten yet not lost dimensions.