Initially a photographer, Agnès Varda has been making films since 1956, and is one of the few women associated with the French New Wave, though more accurately, work by Varda belongs more precisely to the complementary Rive Gauche (Left Bank Cinema) movement, along with Chris Marker, Alain Resnais,

Experimental, Intimate, Lyrical, Pioneering, Playful, Political, Self-reflection

Urban space, communications, body, dreams, strangers, are concurrent issues she deals with in her works in various media. Her recent works are focused on the use of video projection to manipulate reality, which she considers ‘revealing another layer of reality’. As a part of Dumbo Arts Under the

Death, Ethereal, Illusive, Intimate, Mythic, Organic, Sensual, Urban

Carolee Schneemann, multidisciplinary artist. Transformed the definition of art, especially discourse on the body, sexuality, and gender. The history of her work is characterized by research into archaic visual traditions, pleasure wrested from suppressive taboos, the body of the artist in dynamic re

Erotic, Feminist, Intense, Intimate, Perverse, Political, Rough, Visceral

Ralph Eugene Meatyard, a humble optician from Lexington, KY, unwittingly became one of the twentieth century's greatest - and weirdest - photographers when he took up the hobby of taking photographs of his children in the 1950s. Gradually his photos took on more and more of a "Southern Gothic" feel,

Abstract, Atmospheric, Figurative, Intimate